Bach Bibliography Search Result

Author : Schulenberg, David
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Composition as Variation: Style and Theory in the Sonatas of C.P.E. Bach.	[p]AMS_GreaterNewYork			May 1981
	2.	Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers.	CurMcol		33	1982	57-88
	3.	The Instrumental Music of Carl Philipp Emanuel Bach.	diss.			1982	viii, 408p
	4.	The Instrumental Music of Carl Philipp Emanuel Bach.	StudMcol	77		1984	192p
	5.	Musical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach.	[p]AMS_Vancouver			Nov 1985
	6.	C. P. E. Bach in the 1740s: The Growth of a Style.	[ce]CPEBachStud			1988	217-231
	7.	Performing C. P. E. Bach: Some Open Questions.	EarlyM	16	4	Nov 1988	542-551
	8.	Expression and Authenticity in the Harpsichord Music of J. S. Bach.	JMcol	8	4	Fall 1990	449-476
	9.	Composition and Improvisation in the School of J.S. Bach.	[p]AMS_Chicago			Nov 1991
	10.	The Keyboard Music of J. S. Bach.				1992	473p
	11.	C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism.	Bach	23	2	Fall-Winter 1992	5-30
	12.	Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach.	ContributStudMDance	19		1992	95-109
	13.	Musical Allegory Reconsidered: Representation and Imagination in Baroque Music.	[p]AMS_Montreal			Nov 1993
	14.	Carl Philipp Emanuel Bach.	[ce]18cKeyboardM			1994	191-229
	15.	Composition and Improvisation in the School of J. S. Bach.	BachPerspectives	1		1995	1-42
	16.	Musical Allegory Reconsidered: Representation and Imagination in the Baroque.	JMcol	13	2	Spring 1995	203-239
	17.	Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach.	[p]AMS_Southwest			Feb 1997
	18.	'Partes feminarum': Gender Representation in Baroque Music.	[p]FTM_Virginia			Jun 1997
	19.	A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491.				1998	4p
	20.	Missing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491]	AmerBachSocNL			Fall 1998	6-7
	21.	The 'Sonata auf Concertenart': A Modern Invention?	[p]ABS_Yale			Apr 1998
	22.	Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle.	[p]AMS_Boston			Oct 1998
	23.	Versions of Bach: Performing Practice in the Keyboard Works.	BachPerspectives	4		1999	111-135
	24.	The Music of J. S. Bach. Analysis and Interpretation.	BachPerspectives	4		1999	x, 208p
	25.	Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach.	JMcolResearch	18	2	1999	139-160
	26.	When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music.	DeClavicordio	4		2000	37-53
	27.	Bach no Kenban Ongaku.				2001	727p
	28.	Music of the Baroque.				2001	xiv, 349p
	29.	Performer's View.	AmerBachSocNL			Spring 2002	3, 8-9
	30.	The Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch.				2003
	31.	'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach.	[ce]KeyboardInBaroqueEurope			2003	157-168
	32.	Recent Bach Studies.	JMcolResearch	22	4	Oct-Dec 2003	387-402
	33.	The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke.	[p]AMS_Houston			Nov 2003
	34.	The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke.	[p]IS_Memphis			Nov 2003
	35.	'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach.	CPEBachCW	1	3	2005	xxxiv, 190p
	36.	Seventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands.	[ce]WorldOfBaroqueMusic			2006	185-212
	37.	Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works.	[p]AMS_RhodeIsland			Sep 2006
	38.	Why we know so little about Bach's early works: a case study of two keyboard fugues.	[fs]Williams70			2007	169-203
	39.	C.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch.	Schr_MittDMges	14		2007	131-152
	40.	The Sonate auf Concertenart: A Postmodern Invention?	BachPerspectives	7		2008	55-96
	41.	Fugues, form, and fingering: Sonata style in Bach's preludes and fugues.	EastmanStudM	58		2008	14-23
	42.	Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel.	[p]ABS_Bethlehem			May 2008
	43.	El clave bien temperado, parte I.	Quodlibet		42	Sep-Dec 2008	115-130
	44.	Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach.	CPEBachCW	3	9. 2	2009	xviii, 225p
	45.	An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach.	Bach	41	2	2010	24-60
	46.	Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach.	CPEBachCW	3	9. 8	2010	xvi, 8, 271p
	47.	Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography.	DetroitMMcol	55		2010	271-302
	48.	J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings.	EarlyKeyboardJ	25-26		2010	29-59
	49.	The Music of Wilhelm Friedemann Bach	EastmanStudM	79		2010	354p
	50.	Editing Bach's 'preludes and fugues' for organ.	OrganYb	39		2010	59-72
	51.	An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784).	[p]ABS_Wisconsin			May 2010
	52.	An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works.	[p]BICB_Belfast			Jul 2010
	53.	Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers.	18cM	8	1	Mar 2011	21-51
	54.	An enigmatic legacy: Organ music and the Berlin Bach traditions.	KeyboardPerspectives	4		2011	153-174
	55.	An Eighteenth-Century Organ Is Reconstructed at Cornell.	Soc18cMNL		18	Oct 2011	8-9
	56.	Bach's temperament.	EarlyM	40	1	Feb 2012	166-167
	57.	Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works.	[p]ABS_Rochester			Sep 2012
	58.	Performing C. P. E. Bach: some questions answered?	EarlyM	41	1	Feb 2013	119-122
	59.	Preludes and Fugues I / Johann Sebastian Bach.	SämtOrgW(Breitkopf2)	1		2013	140p
	60.	C. P. E. Bach in America.	BachNotesABS		21	Fall 2014	4-6
	61.	A tale of two brothers: Friedemann and Emanuel Bach.	[cr]Brooklyn2010			2014	78-102
	62.	Carl Philipp Emanuel Bach: a tercentenary assessment.	EarlyM	42	3	Aug 2014	335-345
	63.	The Music of Carl Philipp Emanuel Bach.	EastmanStudM	114		2014	xv, 416p
	64.	C. P. E. Bach Turns Three Hundred.	Soc18cMNL		24	Fall 2014	1, 11-12
	65.	Preludes and Fugues II / Johann Sebastian Bach.	SämtOrgW(Breitkopf2)	2		2014	148p
	66.	When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music.	[ce]Late18cComposers_CPEB			2015	477-492
	67.	C. P. E. Bach.	[ce]Late18cComposers_CPEB			2015	xxv, 505p
	68.	Expression and Discrétion: Bach and Froberger.	BachNotesABS		26	Spring 2017	5-8
	69.	C. P. E. Bach's Keyboard Music and the Question of Idiom.	BachPerspectives	11		2017	83-112
	70.	Bach's quaver notation and performance implications.	[p]BNUK_Cambridge			Jul 2017
	71.	Eighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017.	18cM	15	1	Mar 2018	130–131
	72.	Bach.				2020	xi, 413p